{"product_id":"a-boy-from-tupelo-2cd","title":"Elvis Presley - A Boy From Tupelo 2CD","description":"\u003cp\u003eDISC 1:\u003c\/p\u003e\n\n\u003cp\u003eMEMPHIS RECORDING SERVICE ACETATES\n\u003cbr\u003e1 My Happiness 2:33\n\u003cbr\u003e2 That’s When Your Heartaches Begin 2:52\n\u003cbr\u003eTracks 1-2: Self-financed demo recorded July, 1953 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 1-2: Digital transfer of acetate.\u003c\/p\u003e\n\n\u003cp\u003e3 I’ll Never Stand in Your Way 2:04\n\u003cbr\u003e4 It Wouldn’t Be the Same (Without You) 2:09\n\u003cbr\u003eTracks 3-4: Self-financed demo recorded January 4, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 3-4: Digital transfer of acetate in very poor condition.\u003c\/p\u003e\n\n\u003cp\u003eSUN MASTERS\n\u003cbr\u003e5 Harbor Lights 2:38\n\u003cbr\u003e6 I Love You Because 2:43\n\u003cbr\u003e7 That’s All Right (45 rpm master) 2:00\n\u003cbr\u003eTrack 5 possibly recorded July 5, 1954.\n\u003cbr\u003eTracks 6-7 recorded July 5, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSources for tracks 5-6: Original SUN tapes.\n\u003cbr\u003eSource for track 7: 45 rpm SUN single (plastic).\u003c\/p\u003e\n\n\u003cp\u003e8 Blue Moon of Kentucky (45 rpm master) 2:07\n\u003cbr\u003eRecorded July 7, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSource for track 8: 45 rpm SUN single (plastic).\u003c\/p\u003e\n\n\u003cp\u003e9 Blue Moon 2:44\n\u003cbr\u003eLikely recorded between August 15 and 19, 1954 at Sun Studio, Memphis. \n\u003cbr\u003eSource for track 9: Original SUN tape.\u003c\/p\u003e\n\n\u003cp\u003e10 Tomorrow Night 3:01\n\u003cbr\u003e11 I'll Never Let You Go (Little Darlin’)2:27\n\u003cbr\u003e12 I Don't Care if the Sun Don't Shine 2:32\n\u003cbr\u003e13 Just Because 2:34\n\u003cbr\u003e14 Good Rockin' Tonight 2:15\n\u003cbr\u003eTracks 10-14 likely recorded between September 12-16, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSources for tracks 10, 11, 13 and 14: RCA reference tapes (30 ips)\n\u003cbr\u003eSource for track 12: Digital transfer of SUN tape, with repairs from a digital transfer of a tape copy.\u003c\/p\u003e\n\n\u003cp\u003e15 Milkcow Blues Boogie 2:39\n\u003cbr\u003e16 You’re a Heartbreaker 2:13\n\u003cbr\u003eTracks 15-16 recorded either mid-November or mid-December 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSources for tracks 15-16: 78 rpm SUN single (shellac).\n\u003cbr\u003e \n\u003cbr\u003e17 I'm Left, You're Right, She's Gone (slow version) 2:43\n\u003cbr\u003eRecorded between mid-November 1954 and mid-April 1955 at Sun Studio, Memphis.\n\u003cbr\u003eThe reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day. \n\u003cbr\u003eSource for track 17: Original SUN tape.\u003c\/p\u003e\n\n\u003cp\u003e18 Baby Let's Play House 2:19\n\u003cbr\u003eLikely recorded between January 30 and February 4, 1955 at Sun Studio, Memphis.\n\u003cbr\u003e“I Got a Woman” and “Tryin' to Get to You” were also recorded, but have been lost.\n\u003cbr\u003eSource for track 18: RCA reference tape (30 ips).\u003c\/p\u003e\n\n\u003cp\u003e19 I'm Left, You're Right, She's Gone 2:38\n\u003cbr\u003eLikely recorded mid-April 1955 at Sun Studio, Memphis.\n\u003cbr\u003eSource for track 19: RCA reference tape (30 ips), with first part of ending from RCA tape copy (15 ips) and last part of ending from digital transfer of the RCA EPA-965 production master tape. \u003c\/p\u003e\n\n\u003cp\u003e20 I Forgot to Remember to Forget 2:31\n\u003cbr\u003e21 Mystery Train 2:30\n\u003cbr\u003e22 Tryin’ to Get to You 2:36\n\u003cbr\u003eTracks 20-22 recorded mid-July, 1955 at Sun Studio, Memphis.\n\u003cbr\u003eSource for track 20: SUN tape copy. \n\u003cbr\u003eSource for track 21: SUN tape copy, with ending from digital transfer of 78 rpm RCA single.\n\u003cbr\u003eSource for track 22: RCA reference tape (30 ips).\u003c\/p\u003e\n\n\u003cp\u003e23 When It Rains It Pours 2:06\n\u003cbr\u003eRecorded November 1-4, 1955 at Sun Studio, Memphis. \n\u003cbr\u003eSource for track 23: Original SUN (vocal channel) slapback tape.\n\u003cbr\u003eElvis’ 1957 re-recording of the song was released under the title “When It Rains, It Really Pours”\u003c\/p\u003e\n\n\u003cp\u003eRCA MASTERS\n\u003cbr\u003e24 That’s All Right 1:59\n\u003cbr\u003eRCA single version\n\u003cbr\u003eSource for track 24: RCA reference tape (30 ips).\u003c\/p\u003e\n\n\u003cp\u003e25 Blue Moon of Kentucky 2:05\n\u003cbr\u003eRCA single version (78 rpm master) \n\u003cbr\u003eSource for track 24: 'Elvis at Sun' master, derived from digital transfer of 78 RPM SUN single (shellac).\u003c\/p\u003e\n\n\u003cp\u003e26 I Love You Because 2:45\n\u003cbr\u003eRCA LP version – spliced from takes 3 \u0026amp; 5\n\u003cbr\u003eSteve Sholes’ original notes have these takes as 2 \u0026amp; 4\n\u003cbr\u003eSource for track 26: RCA master tape.\u003c\/p\u003e\n\n\u003cp\u003e27 Tomorrow Night 2:56\n\u003cbr\u003eRCA LP version – overdubbed and slowed down \n\u003cbr\u003eSource for track 27: 1965 RCA work part tape for the “Elvis for Everyone” LPM-3450 production master tape. \u003c\/p\u003e\n\n\u003cp\u003eDISC 2 \u003c\/p\u003e\n\n\u003cp\u003eSUN STUDIO SESSIONS\n\u003cbr\u003e1 Harbor Lights (takes 1-2, level adjustments) 0:33\n\u003cbr\u003e2 Harbor Lights (take 3\/M) 2:53\n\u003cbr\u003e3 Harbor Lights (take 4) 2:38\n\u003cbr\u003e4 Harbor Lights (takes 5-6) 1:23\n\u003cbr\u003e5 Harbor Lights (take 7) 2:25\n\u003cbr\u003e6 Harbor Lights (take 8) 0:26\n\u003cbr\u003eTracks 1-6 possibly recorded July 5, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 1-6: Original SUN tape.\u003c\/p\u003e\n\n\u003cp\u003e7 I Love You Because (take 1) 0:23\n\u003cbr\u003e8 I Love You Because (take 2) 3:28\n\u003cbr\u003e9 I Love You Because (take 3) 3:36\n\u003cbr\u003e10 I Love You Because (take 4) 0:40\n\u003cbr\u003e11 I Love You Because (take 5) 3:28\n\u003cbr\u003e12 That’s All Right (takes 1-2) 0:20\n\u003cbr\u003e13 That’s All Right (take 3) 1:58\n\u003cbr\u003eTracks 7-13 recorded July 5, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 7-13: Original SUN tape.\u003c\/p\u003e\n\n\u003cp\u003e14 Dialogue 0:20\n\u003cbr\u003e15 Blue Moon of Kentucky (slow tempo outtake) 1:08\n\u003cbr\u003eTracks 14-15 likely recorded July 7, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 14-15: Digital transfer of SUN tape.\n\u003cbr\u003e \n\u003cbr\u003e16 Blue Moon (takes 1-3) 0:38\n\u003cbr\u003e17 Blue Moon (take 4) 2:59\n\u003cbr\u003e18 Blue Moon (take 5) 3:25\n\u003cbr\u003e19 Blue Moon (takes 6-7) 0:53\n\u003cbr\u003e20 Blue Moon (take 8) 3:01\n\u003cbr\u003e21 Blue Moon (take 9\/M) 2:44\n\u003cbr\u003eTracks 16-21 likely recorded between August 15 and 19, 1954 at Sun Studio, Memphis. \n\u003cbr\u003eSource for tracks 16-21: Original SUN tape.\u003c\/p\u003e\n\n\u003cp\u003e22 Dialogue fragment (before “Tomorrow Night”) 0:11\n\u003cbr\u003e23 I’ll Never Let You Go (Little Darlin’) (incomplete take) 0:49\n\u003cbr\u003e24 Good Rockin’ Tonight (fragment from vocal slapback tape) 0:10\n\u003cbr\u003e25 I Don’t Care if the Sun Don’t Shine (takes 1-2) 1:13\n\u003cbr\u003e26 I Don’t Care if the Sun Don’t Shine (take 3\/M) 2:35\n\u003cbr\u003eTracks 22-26 likely recorded between September 12 and 16, 1954 at Sun Studio, Memphis.\n\u003cbr\u003eSource for track 22: RCA reference tape (30 ips) for “Tomorrow Night”.\n\u003cbr\u003eSources for tracks 23-26: Digital transfers of SUN tapes (also see source note for Disc 1, track 12).\u003c\/p\u003e\n\n\u003cp\u003e27 I’m Left, You’re Right, She’s Gone (slow version, take 1) 3:00\n\u003cbr\u003e28 I’m Left, You’re Right, She’s Gone (slow version, take 2) 2:51\n\u003cbr\u003e29 I’m Left, You’re Right, She’s Gone (slow version, take 3) 2:51\n\u003cbr\u003e30 I’m Left, You’re Right, She’s Gone (slow version, take 4) 0:10\n\u003cbr\u003e31 I’m Left, You’re Right, She’s Gone (slow version, take 5\/M) 2:40\n\u003cbr\u003e32 I’m Left, You’re Right, She’s Gone (slow version, take 6) 2:40\n\u003cbr\u003e33 I’m Left, You’re Right, She’s Gone (slow version, take 7) 1:35\n\u003cbr\u003eRecorded between mid-November 1954 and mid-April 1955 at Sun Studio, Memphis.\n\u003cbr\u003eThe reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day. \n\u003cbr\u003eSource for tracks 27-33: Original SUN tape.\u003c\/p\u003e\n\n\u003cp\u003e34 How Do You Think I Feel (guitar slapback tape, rehearsal + take 1) 3:17\n\u003cbr\u003e35 How Do You Think I Feel (guitar slapback tape, rehearsals) 1:14\n\u003cbr\u003eRecorded between mid-November 1954 and mid-April 1955 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 34-35: Digital transfer of SUN (guitar channel) slapback tape.\u003c\/p\u003e\n\n\u003cp\u003e36 When It Rains It Pours (vocal slapback tape, take 1) 1:37\n\u003cbr\u003e37 When It Rains It Pours (vocal slapback tape, take 2 - rehearsa1) 2:12\n\u003cbr\u003e38 When It Rains It Pours (vocal slapback tape, takes 3-4) 2:14\n\u003cbr\u003e39 When It Rains It Pours (vocal slapback tape, take 5\/M) 2:02\n\u003cbr\u003e40 When It Rains It Pours (vocal slapback tape, take 6-7) 1:40\n\u003cbr\u003e41 When It Rains It Pours (vocal slapback tape, take 8) 1:40\n\u003cbr\u003eRecorded between November 1-4, 1955 at Sun Studio, Memphis.\n\u003cbr\u003eSource for tracks 36-41: Original SUN (vocal channel) slapback tape.\u003c\/p\u003e\n\n\u003cp\u003eDISC 3:\n\u003cbr\u003eLIVE AND RADIO PERFORMANCES\n\u003cbr\u003e1 That’s All Right 2:52\n\u003cbr\u003e2 Blue Moon of Kentucky 2:23 \n\u003cbr\u003eTracks 1-2 recorded at Louisiana Hayride debut, Shreveport, Louisiana, October 16, 1954.\n\u003cbr\u003eSource for tracks 1-2: RCA reference tape copy.\u003c\/p\u003e\n\n\u003cp\u003e3 Shake, Rattle and Roll 2:24\n\u003cbr\u003e4 Fool, Fool, Fool 1:59\n\u003cbr\u003eTracks 3-4 recorded at KDAV Radio, Lubbock, Texas, January 6, 1955. \n\u003cbr\u003eSource for tracks 3-4: Digital transfer of acetate.\u003c\/p\u003e\n\n\u003cp\u003e5 Hearts of Stone 2:02\n\u003cbr\u003e6 That’s All Right 1:52\n\u003cbr\u003e7 Tweedlee Dee 2:51\n\u003cbr\u003eTracks 5-7 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 15, 1955.\n\u003cbr\u003eSource for tracks 5-7: Digital transfer of acetate in very poor condition.\n\u003cbr\u003eSome parts duplicated and edited to create near-complete performances.\u003c\/p\u003e\n\n\u003cp\u003e08 Shake, Rattle and Roll 2:23\n\u003cbr\u003eRecorded at WJOI Radio, Florence, Alabama January 19, 1955.\n\u003cbr\u003eSource for track 8: Digital transfer of acetate in poor condition.\u003c\/p\u003e\n\n\u003cp\u003e09 KSIJ Radio commercial with DJ Tom Perryman 0:16\n\u003cbr\u003eRecorded at KSIJ Radio, Gladewater, Texas, 1955.\n\u003cbr\u003eSource for track 9: Digital transfer.\u003c\/p\u003e\n\n\u003cp\u003e10 Money Honey 2:43\n\u003cbr\u003e11 Blue Moon of Kentucky 2:04 \n\u003cbr\u003e12 I Don’t Care if the Sun Don’t Shine 2:33\n\u003cbr\u003e13 That’s All Right 1:54\n\u003cbr\u003eTracks 10-13 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 22, 1955.\n\u003cbr\u003eSource for tracks 10-13: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performances.\u003c\/p\u003e\n\n\u003cp\u003e14 Tweedlee Dee 2:15\n\u003cbr\u003e15 Money Honey 2:17\n\u003cbr\u003e16 Hearts of Stone 1:37\n\u003cbr\u003e17 Shake, Rattle and Roll 1:39\n\u003cbr\u003e18 Little Mama 2:03\n\u003cbr\u003e19 You’re a Heartbreaker 2:06\n\u003cbr\u003eTracks 14-19 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, March 5, 1955.\n\u003cbr\u003eSource for tracks 14-19: Digital transfer of fragments of acetate in very poor condition (which was destroyed in the process). Some parts duplicated and edited to create near-complete performances.\u003c\/p\u003e\n\n\u003cp\u003e20 Good Rockin’ Tonight 2:36\n\u003cbr\u003e21 Baby Let’s Play House 2:22\n\u003cbr\u003e22 Blue Moon of Kentucky 1:47\n\u003cbr\u003e23 I Got a Woman 3:03\n\u003cbr\u003e24 That’s All Right 2:17\n\u003cbr\u003eTracks 20-24 likely recorded at the Eagles’ Hall, Houston, Texas, March 19, 1955. Track 21 could be from a different performance the same week.\n\u003cbr\u003eSource for tracks 20-24: RCA reference tape copy.\u003c\/p\u003e\n\n\u003cp\u003e25 Tweedlee Dee 2:47\n\u003cbr\u003eRecorded at Gladewater High School, Gladewater, Texas, April 30, 1955.\n\u003cbr\u003eSource for tracks 25: RCA reference tape copy.\u003c\/p\u003e\n\n\u003cp\u003e26 Interview with Mae Boren Axton 3:19\n\u003cbr\u003eRecorded at motel in Jacksonville, Florida on either May 12 or July 28, 1955.\n\u003cbr\u003eSource for track 26: Digital transfer of 1981 BBC broadcast tape copy. \u003c\/p\u003e\n\n\u003cp\u003e27 That’s All Right 2:37\n\u003cbr\u003eRecorded at the Jimmie Rodgers Memorial Festival, Meridian, Mississippi, May 26, 1955. \n\u003cbr\u003eSource for track 27: Broadcast tape.\u003c\/p\u003e\n\n\u003cp\u003e28 I’m Left, You’re Right, She’s Gone 3:16\n\u003cbr\u003eRecorded at the Louisiana Hayride, Shreveport, Louisiana, July 2, 1955.\n\u003cbr\u003eSource for track 28: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performance.\u003c\/p\u003e\n\n\u003cp\u003e29 Baby Let’s Play House 3:19\n\u003cbr\u003e30 Maybellene 3:09\n\u003cbr\u003e31 That’s All Right 2:49\n\u003cbr\u003eTracks 29-31 recorded at the Louisiana Hayride, Shreveport, Louisiana, August 20, 1955.\n\u003cbr\u003eSource for tracks 29-31: RCA reference tape copies.\u003c\/p\u003e\n\n\u003cp\u003e32 Interview with Bob Neal 5:31\n\u003cbr\u003eRecorded at WMPS Radio, Memphis Tennessee, between August 29-31, 1955.\n\u003cbr\u003eSource for track 32: Digital transfer\u003c\/p\u003e\n\n\u003cp\u003eMUSICIANS\n\u003cbr\u003eDisc 1 tracks 1-4: Elvis Presley: guitar, vocals\u003c\/p\u003e\n\n\u003cp\u003eAll other recordings (except when noted): \n\u003cbr\u003eElvis Presley: guitar, vocals; Scotty Moore: electric guitar; Bill Black: bass\n\u003cbr\u003eDisc 1 track 13: possibly Buddy Cunningham: brushes on snare drum\n\u003cbr\u003eDisc 1 track 19 and disc 2 tracks 34-35: Jimmie Lott: drums\n\u003cbr\u003eDisc 1 tracks 20, 22-23 and Disc 2 tracks 36-41: Johnny Bernero: drums\n\u003cbr\u003eDisc 1 track 27: Chet Atkins: guitar; Grady Martin: guitar; Henry Strzelecki: bass; Buddy Harman: drums; Charlie McCoy: harmonica; Anita Kerr Singers: backing vocals\n\u003cbr\u003eDisc 3 tracks 5-7 \u0026amp; 10-13: Sonny Trammel: steel guitar; Leon Post: piano\n\u003cbr\u003eDisc 3 tracks 14-19 \u0026amp; 25: Jimmy Day: steel guitar; Floyd Cramer: piano\u003c\/p\u003e","brand":"Follow That Dream","offers":[{"title":"Default Title","offer_id":50106562117917,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"url":"https:\/\/goofinrecords.fi\/en\/products\/a-boy-from-tupelo-2cd","provider":"Goofin Records","version":"1.0","type":"link"}